Reawakened

  ALSO BY COLLEEN HOUCK

  The Tiger’s Curse series

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

  Text copyright © 2015 by Colleen Houck

  Cover art copyright © 2015 by Chris Saunders

  All rights reserved. Published in the United States by Delacorte Press, an imprint of Random House Children’s Books, a division of Penguin Random House LLC, New York.

  Delacorte Press is a registered trademark and the colophon is a trademark of Penguin Random House LLC.

  Visit us on the Web! randomhouseteens.com

  Educators and librarians, for a variety of teaching tools, visit us at RHTeachersLibrarians.com

  Library of Congress Cataloging-in-Publication Data

  Houck, Colleen.

  Reawakened / Colleen Houck. — First edition.

  pages cm

  Summary: “A visit to an Egyptian exhibit brings teen Lilliana Young face to face with a recently awakened mummy-turned-handsome-sun-god as she gets caught up in an adventure with more twists and turns than the Nile itself”— Provided by publisher.

  ISBN 978-0-385-37656-3 (hc) — ISBN 978-0-385-37657-0 (glb) — ISBN 978-0-385-37658-7 (ebook)

  1. Amon (Egyptian deity)—Juvenile fiction. [1. Amon (Egyptian deity)—Fiction. 2. Gods, Egyptian—Fiction. 3. Adventure and adventurers—Fiction. 4. Supernatural—Fiction. 5. Egypt—Fiction.] I. Title.

  PZ7.H81143Re 2015

  [Fic]—dc23

  2014023498

  eBook ISBN 9780385376587

  Cover design by Angela Carlino

  eBook design based on printed book design by Heather Kelly

  Random House Children’s Books supports the First Amendment and celebrates the right to read.

  v4.1

  ep

  Contents

  Cover

  Also by Colleen Houck

  Title Page

  Copyright

  Dedication

  Epigraph

  Part 1

  Chapter 1: House of Muses

  Chapter 2: Stranger in a Strange Land

  Chapter 3: Heart of a Sphinx

  Chapter 4: The Ties That Bind

  Chapter 5: A Feast in the New Kingdom

  Chapter 6: Unwrapping the Truth

  Chapter 7: Flying Chariots

  Chapter 8: Sight for Sore Eyes

  Chapter 9: Walk Like an Egyptian

  Chapter 10: Valley of the Kings

  Chapter 11: Shabtis

  Chapter 12: Canopic Jars

  Chapter 13: Chief Vizier

  Part 2

  Chapter 14: Sandstorm

  Chapter 15: Oasis of the Sacred Stones

  Chapter 16: God of the Stars

  Chapter 17: The Early Bird Catches the Worm

  Chapter 18: Crocodile Temple

  Chapter 19: God of the Moon

  Part 3

  Chapter 20: In the Eye of the Beholder

  Chapter 21: Crocodile Tears

  Chapter 22: Pyramids

  Chapter 23: An Eye for an Eye

  Chapter 24: Heart Scarab

  Epilogue

  Acknowledgments

  About the Author

  For my dad, Bill, who left us all too soon

  THE WINE OF LOVE

  An Ancient Egyptian Love Poem

  Oh! when my lady comes,

  And I with love behold her,

  I take her into my beating heart

  And in my arms enfold her;

  My heart is filled with joy divine

  For I am hers and she is mine.

  Oh! when her soft embraces

  Do give my love completeness,

  The perfumes of Arabia

  Anoint me with their sweetness;

  And when her lips are pressed to mine

  I am made drunk and need not wine.

  In the great city of Itjtawy, the air was thick and heavy, reflecting the mood of the men in the temple, especially the countenance of the king and the terrible burden he carried in his heart. As King Heru stood behind a pillar and looked upon the gathered people, he wondered if the answer his advisers and priests had given was their salvation or instead, their utter destruction.

  Even should the offering prove successful, the people would surely suffer a terrible loss, and for him, personally, there was no way to recover from it.

  Despite the simmering heat of the day, he shivered in the temple’s shadow, surely a bad omen. Uneasily, he ran a hand over his smoothly shaven head and let the curtain fall. To quiet his nerves, he began to pace the temple’s smooth, polished dais and ponder his choices.

  King Heru knew that even should he defy the proposed demands, he needed to do something drastic to appease the fearsome god Seth. If only there was a way out, he thought. Putting the proposal to the people was something no king had ever done before.

  A king held his position precisely because it was his right, his duty, to see to the needs of his people, and a king who could not make a wise decision, however difficult, was ripe for deposing. Heru knew that by allowing the people to decide, he proved himself to be a weakling, a coward, and yet there was no other outlet he could see that would allow him to live with the consequences.

  Twenty years before King Heru’s time, all the people of Egypt were suffering. Years of terrible drought further complicated by devastating sandstorms and plague had almost destroyed civilization. Marauders and old enemies took advantage of Egypt’s weakness. Several of the oldest settlements had been wiped out completely.

  In a desperate act, King Heru invited the surviving leaders of the major cities to come to his home. King Khalfani of Asyut and King Nassor of Waset agreed to a one-week summit, and the three of them, along with their most powerful priests, disappeared behind closed doors.

  The results of that meeting had been a decision that tipped the balance in the pantheon of the gods. Each city worshipped a different god—the residents of Asyut, which played host to the most famous magicians, were devoted to Anubis; those of Waset, known for weaving and shipbuilding, to Khonsu; and King Heru’s people, skilled in pottery and stone cutting, worshipped Amun-Ra and his son, Horus. The kings had been convinced by their priests that their patron gods had abandoned them and that they should come together as one to make offerings to appease a new god, namely, the dark god, Seth, in order to secure the safety and well-being of the people.

  And so they did. That year the rains came in abundance. The Nile overflowed its banks, creating fertile lands for planting. Livestock flourished, tripling in number. Women gave birth the following year to more healthy babies than had ever been recorded. Even more astonishing was when the queens of each city, who had been the most outspoken against the deity change, were appeased when discovering that they, too, had conceived.

  As the three queens each gave their husbands a healthy son, they acknowledged their blessings, especially the wife of Heru, who had never had a child and was well past her bearing years. Though in their hearts, the new mothers still paid homage to the gods of old, they agreed that from that time forward they would never speak ill of the dark one. The people rejoiced.

  The people prospered.

  The three kings wept with gratitude.

  In an age of peace and harmony, the sons of each queen were raised as brothers in the hope that they would someday unite all of Egypt under one ruler. The worship of Seth became commonplace, and the old temples were essentially abandoned.

  The sons considered each king a father and each queen a mother. Their kings loved them. Their people loved them. They were the hope of the future, and nothing could keep the thre
e of them apart.

  Now, even now, on the darkest day of their fathers’ lives, the three young men stood together, waiting for the kings to make a surprise announcement.

  In a moment, the three kings would ask the unthinkable. A favor that no king, no father, should ask of his son. It made King Heru’s blood run cold and left him with vivid nightmarish dreams of his heart being found unworthy when weighed against the feather of truth in the final judgment. The three kings stepped into the glaring sunlight that reflected off the white stone of the temple. King Heru stood in the center while the other two men took their place at his side. King Heru was not only the tallest of the three but also the most skilled speaker. Raising his hands, he began, “My people, and visiting citizens from our dearly loved cities upriver, as you know, we, your kings, have been in conference with our priests to determine why the river, which has lapped our shores so gently for the last twenty years, does not flourish as it should in this most important season. Our chief priest, Runihura, has said that the god Seth, the one we have worshipped wholeheartedly these past years, demands a new sacrifice.”

  King Heru’s own son took a step forward. “We will sacrifice whatever you think is necessary, Father,” he said.

  The king held up his hand to quiet his son and gave him a sad smile before turning back to the crowd. “The thing that Seth asks this year as a sacrifice is not a prized bull, bushels of grain, fine fabrics, or even the best of our fruits.” Heru paused as he waited for the people to quiet. “No, Runihura has said that Seth has given us much, and for the things we have received we must return that which is most precious.

  “The god Seth demands that three young men of royal blood be sacrificed to him and that they serve him indefinitely in the afterlife.” Heru sighed heavily. “If this does not happen, he vows to rain destruction upon all of Egypt.”

  “Fifteen fifty,” the driver demanded in a heavy accent.

  “Do you take credit?” I responded politely.

  “No. No cards. Machine’s broken.”

  Giving a slight smile to the heavily browed eyes staring at me in the rearview mirror, I pulled out my wallet. As many times as I’d ridden in a New York City cab, I’d never gotten used to the attitude of the taxi drivers; it irked me every time. Still, it was either that or our family’s personal driver, who would shadow me around, reporting every move I made to my parents. All things considered, I much preferred independence.

  I handed the driver a twenty and opened the door. Almost instantly, he sped off, leaving me struggling to maintain my footing while coughing in the cloud of gray exhaust he left behind.

  “Jerk,” I mumbled as I smoothed my cropped trousers and then bent down to adjust a strap on my Italian leather sandals.

  “Do you need help, miss?” asked a young man nearby.

  Standing up, I gave him the once-over. His department store jeans, I ♥ NEW YORK tee, and scruffy boy-next-door appearance instantly told me he wasn’t from the city. No self-respecting New Yorker, at least none I knew, would be caught dead in an NYC tee. He wasn’t bad-looking, but when I considered his likely determinate stay in the city coupled with the fact that he would obviously not be parental approved, I surmised that any further dialogue would be a waste of time. Not my type.

  I hadn’t figured out exactly what my type was yet, but I figured I’d know it when I saw it.

  “No thanks.” I smiled. “I’m good.”

  With a no-nonsense stride, I headed toward the steps of the Metropolitan Museum of Art. The girls at my school would think I was an idiot for passing up a cute boy/potential boyfriend—or at the very least, a fun distraction.

  It was easier not to make any promises I didn’t plan on keeping, especially with a boy who hadn’t met any of my requirements for the perfect guy. The list wasn’t complete yet, but I’d been adding to it for as long as I’d been old enough to be interested in boys. Above all else, I was careful and thoughtful about my choices.

  Even though I was very picky, wore only designer clothes, and had a monthly allowance bigger than what most people my age earned in a year, I was by no means a snob. My parents had certain expectations of me, and the money was used as a means to fulfill them. I was always taught that the image one portrays, though certainly not one hundred percent accurate, was an indicator of the type of person you were. Despite my efforts to find evidence that this wasn’t always the case, among the people I went to school and hung out with, it often was.

  My father, a successful international finance lawyer, always said, “Bankers trust the suit first and the man second,” his version of “Dress for success.” He and my mother, who spent most of her waking hours in her skyscraper office at one of the largest media companies in the city, dictating orders to her personal assistant, had drilled into me that image was everything.

  Mostly, I was left on my own as long as I did what they expected, which included attending various functions, portraying myself as a doting daughter, and getting straight As at my all-girls private school. And, of course, not dating the wrong type of boy, which I accomplished by not dating at all. In turn, I was given a generous allowance and the freedom to explore New York. A freedom I cherished, especially today, the first day of spring break.

  The Met was one of my favorite hideouts. Not only did my parents approve of the institution—a definite plus—but it was a great place to people-watch. I wasn’t sure what I wanted to do in the future, but this was the week I had to figure it out. I’d already been accepted to a number of parent-approved universities. Mother and Father—they hated being called Mom and Dad—wanted me to major in something that would make them proud, like medicine, business, or politics, but none of those really interested me.

  What I really enjoyed was studying people. People of the past, like the ones I read about at the Met, or even just the people walking around in New York City. In fact, I kept a little book full of notes on the most interesting people I saw.

  How I would turn this admittedly strange hobby into a career, I had no idea. My parents would never approve of my becoming a counselor, mostly because they believed a person should be able to take charge of their own mental health by merely willing themselves to overcome any obstacle they might face. Consorting with those they considered beneath their station wasn’t something they encouraged, and yet becoming a counselor was the one career path that made the most sense to me.

  Any time I thought about the future, my parents came to mind. What they had planned was a constant drumming on my consciousness, and if I entertained the idea of deviating from their plans even an iota, I was filled with guilt, which effectively choked the life out of any little seeds of rebellion.

  One of those seeds was where I applied to college. Technically, it wasn’t a mutiny, since they knew about it. I was allowed to apply to places that interested me as long as I sent in the paperwork to the ones my parents approved of as well. Of course they’d been thrilled when I was accepted to them all, but there was no doubt that they were pushing me in a certain direction.

  Now spring break of my senior year was finally here, a time most teens loved, and I was dreading it. If only everything didn’t have to be decided right now. Mother and Father had given me until the end of the week to choose my college and my major. Starting college as undecided was not an option.

  Stopping at the counter, I flashed my lifetime membership card and swiftly walked through the roped entrance.

  “Hello, Miss Young,” said the old guard with a smile. “Here all day?”

  I shook my head. “Half day, Bernie. Meeting the girls for lunch.”

  “Should I be watching for them?” he asked.

  “No. I’ll be alone today.”

  “Very good,” he said, securing the rope behind me and returning to help with the line of tourists. There were definitely some perks to having parents who donated annually to the Met. And since I was an only child, I was lucky enough to receive the full “benefit” of their monetary donations, wisdom, and experie
nce. They were loving, too, if love looks like a stiff upper lip of pride and approval. But I was often lonely, and at times felt trapped.

  Whenever I started to feel like I needed a real mom type to bake cookies with, I asked to visit my paternal grandmother, who lived on a small farm in Iowa, a woman my parents checked in on exactly once every two months. They visited her annually, though they stayed in a nearby city hotel and worked from their room while I stayed on the farm with her overnight.

  Speaking of grandmas, a very interesting-looking older woman was seated on a bench ahead of me and staring at one of my favorite pictures, She Never Told Her Love, by Henry Peach Robinson. The photograph was controversial. Critics said it was indecent and indelicate for a photographer to capture a dying woman in print, but I found the photo dramatically romantic. It was said that the photographer was trying to illustrate a scene from Shakespeare’s Twelfth Night. I knew the quote on the picture’s description by heart.

  SHE NEVER TOLD HER LOVE,

  BUT LET CONCEALMENT,

  LIKE A WORM I’ THE BUD,

  FEED ON HER DAMASK CHEEK.

  TWELFTH NIGHT, 2.4.110–12

  Consumption. That was supposedly what the woman in the photograph was dying of. I reasoned it was appropriate. Dying of a broken heart must feel like a type of consumption. I imagined it to be a squeezing pain that wrapped itself around a person like a boa constrictor, tightening more and more, crushing the body until there was nothing left but a dry husk.

  As fascinated as I was by the photo, I was even more fascinated by the woman who sat staring at it. Her cheeks sagged, as did her heavy body. Strands of limp gray hair hung from a messy bun. She clutched a worn cane, which meant it was well used, and she wore a floral-patterned, butterfly-collared dress (circa 1970). Her feet were planted shoulder width apart in thick-soled Velcro-closed sneakers. The woman was leaning forward, resting her hands on the edge of the cane, her chin propped on her hands as she studied the picture.